Not everyone has the ability to detect the subtleties of aroma and taste when tasting wine.

The good people from Leopard’s Leap in Franschhoek sent this useful note to me, together with a bottle of their Leopard’s Leap Chardonnay Pinot Noir:

Anyone who has ever been to a wine tasting, knows that there is a lot of ‘nose’ action. Swirling the wine in the glass to open the ‘nose’ and smelling the wine to identify the ‘nose’. This can be quite intimidating for wine novices and those who drink wine purely for the enjoyment it brings.

While identifying the berry flavours – and if you are really good, the specific berry – raspberry, not cherry… – really is not necessary, it can actually be quite a bit of fun! These nuances are what differentiate wine from other drinks – vintage influences, winemaking methods, maturation, serving temperature, food pairing and even stemware all have an influence on what you experience in your glass of wine. With a little bit of guidance, some information and of course practice, one might actually enjoy building a memory bank of flavour associations.

As an example, the Leopard’s Leap Winemaking team has deconstructed the popular Leopard’s Leap Chardonnay Pinot Noir from our Classic Range. The flavours identified are Pink Lady apple (quite different from Golden Delicious or Granny Smith or Top Red…), raspberry, red grape, grapefruit and strawberry.



Taking advantage of some Autumnal warmth, we sat on our stoep the other afternoon, and enjoy a glass or two of the Chardonnay Pinot Noir. I’m not much of a chardonnay fan, but with the pinot noir in the mix, it brought a gentle smile to my palate. At a cellar price of just under R50-00 a bottle, well worth a try.

Now you too knowse about it!



Before attending a media preview at Avontuur Estate of this year’s Cabernet Franc Carnival, I must confess that my palate had given Cab Franc little attention.

At that preview, we had the privilege of enjoying a vertical tasting of Avontuur’s superb Cab Francs. I now appreciate the varietal and it now has my full attention.

If you too are new to Cab Franc and curious….

On Saturday, 19 May 2018 from 11-4, the Cabernet Franc Carnival takes place at Avontuur Estate and 21 wineries will be on hand to show off their 100% Cabernet Francs,  Cab Franc-led blends and in some cases even Cab Franc Rosés.

This year’s participating wineries are: Avontuur Estate, Chamonix, Delaire Graff, Doolhof Estate, Druk My Niet Wine Estate, Hermanuspietersfontein Wines, Holden Manz Wines, Kunjani Wines, Morgenster Wine and Olive Estate,  My Wyn, Onderkloof Wine Estate, Oldenburg Vineyards, Ormonde Vineyards, Raats Family Wines, Rainbow’s End Wine Estate, Snow Mountain Wines – James McKenzie,  Spookfontein Wines, The Garajeest,  Vrede en Lust, Whalehaven, Zevenwacht.

Visitors can taste and buy the wines directly from the wineries and also attend tutored tastings.

In addition to the wine-related activities, food trucks, lawn games, background music and a multitude of delicious dining options courtesy of the Avontuur Estate Restaurant are on offer.

Tickets are R220 pp on-line or R250 at the gate, which includes the tastings, a R50 discount coupon to spend on food and a tasting glass. Tickets from www.plankton.mobi

Avontuur Estate is on the R44 between Stellenbosch and Somerset West




Usually my prime reason for visiting a wine estate on my own, is to try wines that I haven’t tried before. That was certainly the case when I recently visited Vondeling Wines, in the Voor Paardeberg wine region of the Western Cape. Although slightly off the beaten track, it is an easily-accessible 45 minutes’ drive from Cape Town.

Although I was well aware of their wines’ fine reputation, there was another reason for my visit, albeit not exactly a mature one. I had discovered that Vondeling’s MD was also a Julian, and we Julians……..

In Julian Richfield’s Savourite Things, I only post about things that are also available for you my readers to enjoy. So in this sposting I will limit the content to the shareable pleasures, the estate and the wines I tasted.

Vondeling is beautifully situated on the southern slopes of the Paardeberg Mountain, and has a gorgeous Cape Dutch manor house and a small country-feel chapel which serves the local community and is also a wedding venue.

We sat in the warm and friendly tasting room before lunch and Julian took me through many of the estate’s wines. I tried their Rose, Chenin Blanc, Sauvignon Blanc, Chardonnay, Merlot, their Baldrick Shiraz and their Rurale 2015 Methode Ancestral (a Brut sparkling wine). All well-balanced, very drinkable and thoroughly enjoyed.

But it was two limited release wines in particular that stood out for me:

The Vondeling Bowwood Pinotage 2014 and their Sweet Carolyn 2017.




I love a good pinotage, the Bowwood is unquestionably “a very good ‘un indeed!”. Full of flavour, it gives a savoury nose and a gentle sweetness from its time in American oak. The wine is a blend from five barrels and shows great intensity of fruit. Does it command enjoying a second glassful? Tick, tick! And if you have the patience – it should age very well. Its cellar door price is R335-00 a bottle, a moderate price for a wine of this stature.




I really enjoy the pleasures that dessert wines offer- generosity on both the nose and the palate. Sweet Carolyn is a Muscat de Frontignan. Moderate in alcohol, its nose is a delight of fruitiness and floral tones. Even a non-drinker would revel in the pleasures of its bouquet. It is not oversweet and a slow sipper, don’t rush the pleasure. It’s my current indulgent personal treat. Shh!! (R225-00 a bottle at the cellar door.)

The added bonus of visiting a wine estate for me is meeting the people. Meeting Julian Johnsen was a huge plus and a privilege.

If you visit Vondeling, you may not necessarily get to meet Julian, unless you too are a Julian and want to join this exclusive fraternity .We Julians found much to talk about and we enjoyed lunch and our time together, and the pleasure of a return visit will hopefully be a case of sooner rather than later.






Best known for her international best seller, The Bookseller of Kabul, Norwegian author, Asne Seierstad has come up with another powerhouse work of non-fiction.

Two Sisters tells the true story of 19 year old, Ayan and her 16 year old sister, Leila. On 17 October, they left their family home near Oslo, seemingly as usual. Later that day, they sent this email to their parents:

Muslims are under attack from all quarters, and we need to do something. We want so much to help Muslims, and the only way we can really do that is by being with them in both suffering and joy. Sitting home and sending money is no longer enough. With this in mind, we have decided to travel to Syria and help out down there as best as we can. We know this sounds absurd but it is haqq and we must go. We fear that ALLAH swt will say to us on the day of judgement. Please try to understand, do not be cross with us.”

The two girls come from a devout but tolerant family who had emigrated to Norway from Somalia, they were educated at a good school and enjoyed a comfortable family life. Their parents Sadiq and Sara, and their sibling Ismael are torn apart by Ayan and Leila’s decision. Sadiq embarks on a dangerous journey to try and bring his girls home.

What follows is a totally engrossing and informative account of that journey, one that takes the reader deep into the heart of the Islamic State, beyond the headlines. Seierstad provides much enlightening contextual information and a useful Islamic glossary

It was the sisters’ father, Sadiq Juma who wanted his daughters’ story told: “I want people to recognize the danger signs. We were blind. We thought it would pass. Now we know better.”

Seierstad started by listening to the Juma family and writing down their stories, interviewing friends and classmates, teachers, principals and other adults whom the girls had been in contact with in early adolescence. She subsequently tried to trace the path that led Ayan and Leila to radical Islam, to try and understand what inspired the two sisters to travel to Syria.

“I offer no explanation, neither of what attracted them to Islamic radicalism nor what propelled them out of Norway. I relate my findings.” She leaves it up to her readers to draw their own conclusions. Of approximately ninety sets of Norwegian parents whose children have travelled to Syria, only a handful came forward. The rest have remained silent.

Sara and Sadiq experienced one of the worst things imaginable to a parent: their children leaving them with no intention of ever returning.

Two Sisters is a powerful work of investigative writing. The Juma family’s heart wrenching story provides a strong core to this extraordinary book, but its real strength is its revelatory insights into aspects of modern Islamic radicalism.

Seierstad cleverly makes no judgement, but such is the strength and topicality of the narrative, the reader will be challenged not to have strong views on the book’s controversial subject matter.

Not an easy read, but a compelling and dare I say, an important look at how society can surrender to unquestioning, fanatical belief.




The year was 1899, as the old people told the story; the place a sweltering tobacco farm in Truevine, Virginia in the United States of America, the heart of the “Jim Crow” South where everybody the Muse brothers knew was either a former slave, or a child or grandchild of slaves.

George and Willie Muse were black albino brothers, just six and nine years old, but they worked in the fields from dawn to dark. Until a white man offered them candy and stole them away to become circus freaks. For the next twenty-eight years, their distraught mother struggled to get them back.

But were they really kidnapped? And how did their mother, a barely literate black woman in the segregated South, manage to bring them home? And why, after coming home, did they want to go back to the circus?

At the height of their fame, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York’s Madison Square Garden. They were global superstars in a pre-broadcast era. But the very root of their success was in the colour of their skin and in the outrageous caricatures they were forced to assume: supposed cannibals, sheep-headed freaks, even ‘Ambassadors from Mars.’

This story line might sound like a work of fiction, but is the subject matter of a truly remarkable work of non-fiction, Truevine by Beth Macy. Macy writes about outsiders and underdogs, and she is the author of the New York Times bestseller Factory Man. Her work has appeared in national magazines and newspapers and has won more than a dozen national awards.

The path to writing Truevine is an astonishing example of extensive research, commitment and dogged determination. The book is the result of hundreds of interviews and decades of research.

“Harriet Muse has already been robbed of dignified work, of monetary pay, of basic human rights, all because of the colour of her skin. Now someone had come along and taken the only thing she had left, her children.”

“For more than a century, that was the story Willie Muse and his relatives told. Their descendants had heard it, all of them, since the age of comprehension, then handed it down themselves, the way families do, stamping the memory with a kind of shared notarization. The story was practically seared into the Muse family DNA.”

“And although it wasn’t entirely accurate, not to the letter, the spirit of it certainly was. The truth was actually far more surprising and, as it usually is, far more tangled.”

There is much in Truevine that will resonate with its South African readers.

Those who saw the film, “The Greatest Showman”, will have a good background to the parts of the book that deal with PT Barnum collection of oddities, the side show era and the times in which the Muse story takes place.

Racism and assault on human dignity and rights permeate much of the early narrative. And even today here in South Africa, people living with Albinism often face discrimination and ridicule.

Beth Macy was forced to play detective with finding the “truth” as it came together, piece by piece. The task started when, thirty years ago, she learned about the Muses when she began worked at the Roanoke Times in Virginia. She was told that it was “the best story in town” but that no one had been able to get the complete story due to the protectiveness of the Muse family.  She wrote a series of news articles about the two brothers died in 2001 and many years later, revisited the story and developed it further until Truevine was the result.

Beth Mace reveals that driving into Truevine today, you will still see hints of the hopelessness that hung over the tiny enclave a century before. Chestnut Mountain stands sentinel to the west, and farm plots give way to sagging trailers and tidy brick ranch houses. Joe-pye and pokeweeds wave along the roadside and sagging tobacco-curing barns, most of the logs hand-chinked by Franklin County slaves and their descendants. They are a decaying nod to the cash crop that has long driven the economy of the region, most of it farmed on the backs of minority labour.

But year after year, the past grows fainter. From slavery to segregation, from integration to globalisation, the economic history of the American South intersects in these unincorporated crossroads. Truevine is a speck of land where slaves and their descendants became sharecroppers, then sewing machine operators, then unemployed workers, finally, those who could afford to, fled…

The process of writing the book is as engrossing a read as is the Muse narrative itself. After so many decades, the extraordinary story of what really happened to the brothers has been told for the first time.

The brothers never married and retired in 1961 and lived the rest of their lives in Roanoke, Virginia. George, the oldest of the Muse brothers died in 1971 and Willie lived until the remarkable age of 108, passing away in 2001.

Mace relates that: “More than a decade later, mourners are still talking about the burial of Willie Muse, and not just because of the wind or the snow but mainly because of what happened next. The nurse, Diane Rhodes said that it had been so warm that morning and then so cold. And then, just like that, a rainbow appeared and everyone just stood there stunned. ‘And we were all of one accord. Heaven was opening the gates to welcome Uncle Willie home.’”

As can be expected, there are holes in the narrative, unable to be filled, but Beth Macy’s achievement is an outstanding one.

Truevine is written with great style, compassion and sensitivity. Some remarkable old photographs provide a vivid visual reminder of the Muse Brothers themselves and an era long past. The book is rich in detail and works on so many levels and I for one, will certainly enjoy giving this quite remarkable book a second read.





On their own, the one an iconic South African wine and the other an iconic South African foodstuff, but together a match made in pleasure heaven.

I recently thoroughly enjoyed a preview of this year’s Pinotage and Biltong Festival which takes place this weekend on Saturday 14 April and Sunday 15 April, 2018 at Perdeberg Cellar.


This year, eighteen wineries will offer nearly 50 Pinotages for tasting and for sale, some of which are paired with specific biltong flavours, each chosen to highlight the best qualities of both. The wines range from traditional red Pinotage right up to Rosés, sparkling wine, MCC, blends and even a white Pinotage.

Also at the Festival, there will be food trucks, an Oyster & MCC bar, Perdeberg’s own craft beer range, a kiddies play area and music by the popular Guy Feldman and his band.

And the Perdeberg Tapas Picnic, which we enjoyed at the preview, is enough for 2 people and includes a bottle of their Dryland Collection Pioneer Pinot Noir/Chardonnay 2017.  Another very worthwhile and fun Perdeberg experience at the Festival is the opportunity to bottle your own Cape Blend of wines, mine was delicious.

Participating wineries at this year’s Pinotage & Biltong Festival are: Badsberg Winery, Beyerskloof, Boland Cellar, Bonnievale Wines, Delheim Wines,  Flagstone Winery, Grande Provence Heritage Wine Estate, Idiom Collection, Knorhoek  Wines, Lanzerac Wines, Mellasat Vineyards, Overhex Wines International,  Perdeberg Cellar , Rhebokskloof  Wine Estate,  Simonsvlei Winery,  Stellenbosch Hills Wines,  Van Loveren Vineyards and Wellington Wines.

My first experience of pairing a variety of biltongs with a variety of pinotage styles was a wonderfully pleasant surprise. With each combination, I sipped the pinotage, then nibbled the biltong, then sipped again and if I hadn’t had to drive home afterwards, I would happily have overindulged on both…..

Pinotage and Biltong Festival promises to be lots of fun. Tickets are R200 pp at www.plankton.mobi or www.computicket.com or R230 at the gate. This includes access to the venue, a branded wine glass, a curated selection of 18 Pinotage and Biltong pairings and free tastings of the other Pinotages on show.  Perdeberg Winery is between Paarl and Durbanville and easily accessible from the N1.


My first tastes of Org De Rac wines, were their splendid Die Waghuis Red 2016 and Die Waghuis White 2016.

Verdelho was one of the components of the Waghuis White and, as I write, I sit with a glass of their Org de Rac Verdelho 2017 at my side.


Immediately drinkable, the wine has a fruity aroma with a hint of that nostalgic sherbet of my youth. It offers a gorgeous complexity of flavours and demands at least a second sip. The day in Cape Town is a warm one and the bottle of Verdelho seems to empty before my eyes……

The Org de Rac Verdelho sells for only R80 a bottle, a fridge-pleasing price indeed….

Three Org de Rac wines tasted, three palpable hits. What next, I wonder?

Org de Rac is an organic wine estate situated across the Berg River on the N7 near Piketberg in the Western Cape, about 160 Kms from Cape Town.





Not the sort of thing I usually write about, but an innovation at Avondale is something to keep one’s eye on.

Paarl estate Avondale has become the first winery in South Africa to introduce clay qvevri into the cellar.

These egg-shaped earthenware vessels, used for fermenting and ageing wine, hail from Georgia in Eastern Europe., Georgia is widely regarded as the cradle of modern viticulture, with a tradition of winemaking dating back more than 8000 years.

avondale qv

Qvevri – pronounced kwe-vree – have long been a crucial aspect of that winemaking heritage. And while these vessels may have ancient roots they are set to bring a brand new dimension to the terroir-driven wines of Avondale.

Avondale’s 24 qvevri arrived just in time for the 2018 harvest, and the cellar team has been hard at work experimenting with these ancient vessels.

The qvevri at Avondale each hold between 800 and 1000 litres, and because these are handmade vessels each one is unique, and slightly different in shape and size

“For now we’re really enjoying experimenting to see what characters the qvevri brings to the wine ” says Avondale winemaker Corné Marais.





Although best known for its fine Pinot Noirs, the Hemel-en-Aarde Valley produces many other wines of distinction.

Bouchard Finlayson Vineyard, holds its Pinot Noir flag proudly aloft, and I have long been a fan of it and their other wines.

One of them, for no particular reason, seems to have slipped by my palate – the Bouchard Finlayson Blanc de Mer, a Riesling driven blend. Recently I had the pleasure of remedying this omission.

2017 Bouchard Finlayson Blanc de Mer


Their first Blanc de Mer was bottled in 1991 and has evolved to where its current vintage has 60% Riesling, 20% Viognier, 13% Chardonnay, 5% Sauvignon Blanc and 2% Semillon.

The 2017 certainly delivers a glorious mouthful – floral on the nose, and stone fruit on the palate. I particularly enjoyed its delicate smoothness.

Personally I think I am leaning towards preferring white blends to their single variety colleagues and the Bouchard Finlayson 2017 Blanc de Mer at a little over R100 a bottle, will certainly be a frequent visitor to my table.



A giant among journalists



Adrian Anthony (A.A.) Gill was born in Edinburgh and was a writer and a critic. He passed away in 2016.

He was maybe best known for food and travel writing, was The Sunday Times’ restaurant reviewer as well as a television critic. He also wrote for Vanity Fair, GQ and Esquire, and published numerous books.

Gill’s writing style was often acerbic and his views and opinions controversial and he wrote on an amazingly diverse range of topics. His peers referred to him as: The Londoner everyone wanted at their table; A golden writer; A giant among journalists. Interestingly enough, he was a chronic dyslexic and had to dictate all his writing.

The Best of A.A. Gill encapsulates some of the very best of his work: the peerlessly astute criticism, the extraordinarily knowledgeable food writing, historic assignments throughout the world and his reflections on life, love and death.

His long-time book editor, Celia Hayley, who compiled this selection, says: “Adrian is gone and we are all the poorer for it: we need that fearless, dazzling, opinionated, provoking and hilarious voice more than ever. But it lives on in the writing he left behind, of which this book is just the tip of the iceberg. I hope it makes you laugh, I hope it makes you gasp, and I hope it makes you miss him.”

There are many highlights in the hugely readable book, and with the breadth of topics covered not all inclusions will have appeal.

Vegetarians will likely be umbraged by his piece about a visit to a vegetarian restaurant: “The first thing you notice is the smell, the round, mushy, slightly acidic odour of sanctimonious worthiness. We queued with a tray and surveyed the repast set out to tempt us. Vegetarians aren’t big on presentation; everything looks as if they’ve got a bulimic hippo as a food taster. The thing a diligent critic must have.to be fair to vegetarian lunch, is a gnawing hunger. Peckish won’t do, you’ve got to be famished to pass this on to trusting peristalsis.” Hopefully things have changed for the better in the thirteen since this was penned….

For me, and I suspect for most all of the book’s South African readership, the stand out piece was the one entitled: Nelson Mandela, written in July 2008. It is a magnificently written and observed, sensitive example of AA Gill’s writing. Its setting – a photoshoot in London for Madiba to have his 90th Birthday picture taken “with a hundred folk he didn’t know”. And it contains these superb lines: ”He looks up and around and smiles this brilliant, beatific smile, a smile that could break your heart. It is the most conscience-tugging, soul-moving facial expression in the world, and he got it in jail. He came out twenty seven years later with this miraculous face, moulded and creased by injustice into a transcendent African mask, this expression that speaks every language…..”

Whether or not one shares Gill’s opinions, The Best of A.A. Gill is a beautifully compiled tribute to a man’s whose pen wrote words at a level of excellence admired by many.